Film Archive

Filmstill Togoland Projections

Togoland Projections

Togoland Projektionen
Jürgen Ellinghaus
German Competition Documentary Film 2023
Documentary Film
France,
Germany,
Togo
2023
96 minutes
French,
German,
English,
Ife,
Tem,
Anufo,
Bassar,
Kabiyé,
Dagbani,
American Sign Language,
Konkomba
Subtitles: 
German, English
Following in the footsteps of the Hamburg film director Hans Schomburgk who travelled through the German colony of Togo from Lomé to the north with his companion and actress Meg Gehrts in 1913, Jürgen Ellinghaus screens the footage shot then at its locations in modern-day Togo. Schomburgk’s affirmative images show slave labour, humiliation and the arrogance of the colonial power. The material is contrasted by Gehrts’ romanticising diary entries and other colonial reports which often testify to a horrifying coldness.

The screenings of this material, which has never been shown in Togo before, prompt the audiences to reflect on tradition, stereotypes, the “white gaze.” In the villages, the colonial images conjure up memories of handed down stories. In the metropolis of Lomé, young film enthusiasts deplore that these images were kept from them until today and discuss in which contexts they should be screened. But “Togoland Projections” not only shows how much these painful documents and texts are needed in contemporary Togo, because they are part of the country’s history. The film also demonstrates that they are needed in Germany so we can take responsibility for our suppressed history and face our own racism – past and present.
Christoph Terhechte

Credits DOK Leipzig Logo

Director
Jürgen Ellinghaus
Script
Jürgen Ellinghaus
Cinematographer
Rémi Jennequin
Editor
Nina Khada
Producer
Frédéric Féraud
Co-Producer
Peter Roloff, Madjé Ayité
Sound
Caled Boukari
Sound Design
Anders Wasserfall
World Sales
Stephan Riguet
Commissioning Editor
Rolf Bergmann
Funder
nordmedia Film- und Mediengesellschaft mbH Niedersachsen/Bremen, Centre national du cinéma et de l'image animée
Narrator
Jürgen Ellinghaus
Nominated for: Goethe-Institut Documentary Film Prize, Leipziger Ring, VER.DI Prize for Solidarity, Humanity and Fairness
Homage: Dominique Cabrera 2024

Tomorrow and Again Tomorrow

Dominique Cabrera
A radically personal video diary that deals with Cabrera’s fears and joys but always remains universally valid: autobiography, not self-centred but society-centred.
Filmstill Tomorrow and Again Tomorrow
Filmstill Tomorrow and Again Tomorrow

Tomorrow and Again Tomorrow

Demain et encore demain
Dominique Cabrera
Homage: Dominique Cabrera 2024
Documentary Film
France
1997
79 minutes
French
Subtitles: 
English
The 1990s were the heyday of the lightweight and affordable Hi8 cameras, a time that brought forth many first-person documentaries. Unlike most of these films, Cabrera’s diary, shot in 1995, is not a purely introspective work. She focuses primarily on the others: her adolescent son, her ex-husband and her new love, her mother and the strangers on the train and in the streets. Her form of autobiography is always collective, social, polyphonic. It is only the other’s gaze, the returned gaze, that makes understanding and insight possible. The camera serves as a catalyst of communication, creating trust and distance at the same time, opening eyes and ears.
Christoph Terhechte

Credits DOK Leipzig Logo

Director
Dominique Cabrera
Cinematographer
Dominique Cabrera
Editor
Réjane Fourcade
Producer
Sylvie Blum, Gérald Colas, Claude Guisard
Sound
Dominique Cabrera
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ABC in Sound

Tönendes ABC
László Moholy-Nagy
Animation and Musique concrète 2021
Experimental Film
Germany
1933
2 minutes
without dialogue
Subtitles: 
None
No sooner had optical sound been invented than it was used in other than the intended way. Geometric patterns, intertwined lines, facial profiles and letters instead of voice recordings and music – Moholy-Nagy imaginatively designs the optical soundtrack of the film. The photocell of the film projector then translates his “handwriting in sound” into electronic buzzes and beeps, along and beside the musical scale.
André Eckardt

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Director
László Moholy-Nagy
Kids DOK 2024

Toti

Maëlle Chevallier
Two friendly cells explore the organism they live in. They grow up together, meet other creatures, until they are separated by an accident. From now on, they will each go their own way.
Filmstill Toti
Filmstill Toti

Toti

Toti
Maëlle Chevallier
Kids DOK 2024
Animated Film
Switzerland
2024
6 minutes
without dialogue
Subtitles: 
None
Two cells observed under the microscope. They grow up together and meet many different creatures on their outings. One day they are separated by an accident and it takes a long time before they find each other again. After the first outburst of joy, they realise that they have changed and no longer fit together. A colourful and profound animation.
Lina Dinkla

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Director
Maëlle Chevallier
Script
Maëlle Chevallier
Cinematographer
Maëlle Chevallier
Editor
Zoltán Horváth
Producer
Nicolas Burlet
Sound Design
Jérôme Vittoz
Animation
Maëlle Chevallier, Nicolas Moreau
DOK Neuland: Interactive Cinema 2024

Traces of Responsibility

Anja Reiß, Jann Anderegg
Rwanda, 30 years after the genocide. Using an app, viewers vote what happens next, democratically electing the following scene. Every voice matters, both in the cinema and on the screen. 
2024
Filmstill Traces of Responsibility
Filmstill Traces of Responsibility

Traces of Responsibility

Traces of Responsibility
Anja Reiß, Jann Anderegg
DOK Neuland: Interactive Cinema 2024
XR
Switzerland
2024
110 minutes
English,
French,
German,
Kinyarwanda
Subtitles: 
English

Peeling away layers of pain, layers of perspectives, passing by both trauma and hope, this film dives into Rwanda thirty years after the genocide. Covering such a topic has always presented itself as a challenge to documentarians. While Claude Lanzmann’s “Shoa” (1985) is over nine hours long, “Traces of Responsibility” unfolds its eight potential hours as innumerable 85 to 110-minute screenings. In allowing different viewing experiences, this film does not commit to a single version of Rwanda, but rather accentuates its multifaceted, and, yes, complex history. The audience may vote to visit genocide memorials and hear survivor testimonies or to follow a theatre troupe educating children about tolerance. They might choose to visit a market or an art museum, to go to a karaoke bar or to just go home.
“You could a write a 1,000-page book just from our [two] stories,” says Semana Jumapili, a survivor we might encounter. When one considers this, even this film of many paths seems limited. There are countless stories to be told. The genocide in Rwanda was horrifying, and yet there is so much solace in the people we encounter throughout the film. They inspire us to fight injustice and heal wounds which seem too big to overcome.

 

After securing your ticket, please make sure you download the CtrlMovie app in advance. If you require assistance, please arrive 15 minutes early to the screening. Our team and volunteers will be happy to assist you.

Dana Melaver

Credits DOK Leipzig Logo

Director
Anja Reiß, Jann Anderegg
Producer
Karin Koch
Production Company
Dschoint Ventschr Filmproduktion
Filmstill Tracing Light

Tracing Light

Tracing Light
Thomas Riedelsheimer
German Competition Documentary Film 2024
Documentary Film
Germany,
UK
2024
99 minutes
English,
German
Subtitles: 
English, German
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.
An intellectual and poetic ping pong game evolves between researchers from the Max Planck Institute in Erlangen and the “Extreme Light Group” of the University of Glasgow as well as internationally renowned artists such as Ruth Jarman, Joe Gerhardt, Julie Brook, Johannes Brunner and Raimund Ritz. In its course, the various perspectives on light lead to new insights on all sides that would hardly have been achieved without this methodical cross-over: about laser power and colour pigments, about black holes and floating sculptures. In brief moments, the uninitiated may even get some idea of the laws of quantum physics, generally considered impossible to visualise.
Luc-Carolin Ziemann

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Director
Thomas Riedelsheimer
Cinematographer
Thomas Riedelsheimer
Editor
Thomas Riedelsheimer
Producer
Sonja Henrici, Stefan Tolz, Leslie Hills
Sound
Hubertus Rath
Sound Design
Christoph von Schönburg
Score
Fred Frith, gabby fluke-mogul
World Sales
Elina Kewitz
German Distributor
Piffl Medien GmbH
Broadcaster
3sat
Nominated for: VER.DI Prize for Solidarity, Humanity and Fairness
Homage Annik Leroy 2020

Tremor – Es ist immer Krieg

Annik Leroy
An essay, a haunting, a cinematic reflection on Europe. The time: now. The places: impossible to localize precisely. Offscreen voices accompany Leroy’s sensory journey.
Media Name: 2dac8a7d-c3b3-4918-b13d-5d8b29c0698c.png
Media Name: 2dac8a7d-c3b3-4918-b13d-5d8b29c0698c.png

Tremor – Es ist immer Krieg

Tremor – Es ist immer Krieg
Annik Leroy
Homage Annik Leroy 2020
Documentary Film
Belgium
2017
92 minutes
German,
Italian,
Dutch,
Icelandic,
French
Subtitles: 
English
An added title like a lead weight. Four words from Ingeborg Bachmann’s novel “Malina” set the tone: “There is always war.” Who could ever accept this?! And who hasn’t long since come to terms with it?! “Tremor” is a harsh film in vibrating black-and-white images and a choir of voices from offscreen, as compelling as it is implacable. This continuing meditation on great brutalities, small impositions and omnipresent conflicts takes us to task. But it releases us not into short-lived outrage but into lasting rage. At the end an Afropop song by Jupiter & Okwess International: a song about crying and suffering – and fighting.
Ralph Eue

Credits DOK Leipzig Logo

Director
Annik Leroy
Cinematographer
Annik Leroy, Julie Morel
Editor
Annik Leroy, Julie Morel
Producer
Cobra Films, Auguste Orts
Sound
Annik Leroy, Julie Morel
Animation Perspectives 2024

Tricky Women 2018

Moïa Jobin-Paré
A film projection shows a woman sitting by the water. In “her back” is the shadow of a female figure who conjures radiant golden clouds of dots and balls of lines into the frame with her hands.
Filmstill Tricky Women 2018
Filmstill Tricky Women 2018

Tricky Women 2018

Tricky Women 2018
Moïa Jobin-Paré
Animation Perspectives 2024
Animated Film
Canada,
Austria
2018
1 minute
without dialogue
Subtitles: 
None
A film projection shows a woman sitting by the water. In “her back” is the shadow of a female figure who conjures radiant golden clouds of dots and balls of lines into the frame with her hands and is even able to blot it out. The magical trailer for the “Tricky Women” festival was made by manually editing the image and sound sequences recorded by Moïa Jobin-Paré when she was artist-in-residence in Vienna.
André Eckardt

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Director
Moïa Jobin-Paré
Filmstill Tropic Fever

Tropic Fever

Tropic Fever
Mahardika Yudha, Robin Hartanto Honggare, Perdana Roswaldy
International Competition 2022
Documentary Film
Indonesia,
Netherlands
2022
59 minutes
English
Subtitles: 
English
The semi-autobiographical account of a European plantation manager on Sumatra during Dutch colonial rule becomes a starting point for reflections on the structure of the plantation itself. An essay about local tobacco and rubber cultivation, the construction of skin colour as a social category and the "tropic fever” which rises slowly but inexorably, edited from archive material dating from 1890 to 1930.
Very few films have made use of the extensive material shot by the colonists in the Dutch East Indies, now Indonesia. Those who took up the task, like “Mother Dao” or recently “They Call Me Babu”, did so from a Dutch perspective. “Tropic Fever” is the first feature-length film from Indonesia that appropriates that stock, using photos, documentary silent film footage, home movies and feature films as well as development plans from the archives of the former colonial power, along with the report of a Hungarian who managed a plantation on Sumatra in the 1920s. Mahardika Yudha, Robin Hartanto Honggare and Perdana Roswaldy impressively demonstrate how forests and swamps turned into rigidly organised agricultural areas and how the plantation and its structure became the foundation of the colonial project as such. Suddenly the assumption that “tropic fever” arises from the heat seems doubtful.
Marie Kloos

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Director
Mahardika Yudha, Robin Hartanto Honggare, Perdana Roswaldy
Script
Perdana Roswaldy, Robin Hartanto Honggare
Cinematographer
Mahardika Yudha, Syaiful Anwar
Editor
Mahardika Yudha
Producer
Robin Hartanto Honggare
Sound
Mahardika Yudha
Score
Mahardika Yudha
Key Collaborator
Het Nieuwe Instituut, EYE Filmmuseum, Marinus Plantema Foundation
Nominated for: Prize of the Interreligious Jury, FIPRESCI Prize
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Trouble Sleep

Trouble Sleep
Alain Kassanda
International Competition Short Film 2020
Documentary Film
France,
Nigeria
2020
40 minutes
English,
Yoruba
Subtitles: 
English
While the transaction tax collectors seem to be dancing to jazz music, a pointedly staged text passage by Patrick Chamoiseau lets not only our visual and auditory but also our olfactory senses unfold: The third-largest Nigerian city can be experienced by smell. In this rhythmic portrait of life in Ibadan the urban cinematic poetry is by no means at odds with the profundity with which it captures themes like lack of perspective, globalisation and corruption.
Borjana Gaković

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Director
Alain Kassanda
Script
Alain Kassanda
Cinematographer
Alain Kassanda
Editor
Alain Kassanda
Producer
Alain Kassanda
Sound
Alain Kassanda
Score
Florent Dupuit, Jr EakEe
Winner of: Golden Dove Short Documentary (International Competition Short Film)
International Competition 2020

Truth or Consequences

Hannah Jayanti
A privately operated spaceport in the desert of New Mexico inspires dreams of tourism to new worlds. In the nearby small town, life plans are more modest.
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Media Name: 9c8ca268-cb59-489a-9367-02babbc5a6b4.jpg

Truth or Consequences

Truth or Consequences
Hannah Jayanti
International Competition 2020
Documentary Film
USA
2020
103 minutes
English
Subtitles: 
None
Forty kilometres outside the small town of Truth or Consequences in New Mexico, in the middle of the desert, lies “Spaceport America”, the first private space mission launch centre. People there have been dreaming of tourism in space for the past decade. Hannah Jayanti observes the people of the town who live in the shadow of such great ideas. She tells of tiger bites and scrap collectors, of sparkling stones, of trailer life and how painfully the past still affects the present.
What starts out as a tale about humanity’s great plans gradually turns into one of the dreams and stumbling blocks of human beings. Step by step, the film approaches its characters and unfurls into a reflection of what remains of a life. In addition to documentary and historical footage, the director also uses virtual reality techniques. When the camera travels through 3D simulations of empty streets and houses you feel that something long gone is made tangible again – like an expedition to a ghost town, at a time when the population will have long since left the planet in spaceships. But the created images remain patchy, the objects are captured only in spots, almost as if this was a map of the stars.
Marie Kloos

Credits DOK Leipzig Logo

Director
Hannah Jayanti
Cinematographer
Hannah Jayanti
Editor
Hannah Jayanti
Producer
Sara Archambault
Sound
Hannah Jayanti, Scott Hirsch
Score
Bill Frisell
Animation
Alexander Porter, Alexander Porter
Nominated for: Prize of the Interreligious Jury, FIPRESCI Prize
Filmstill Truth or Dare

Truth or Dare

Truth or Dare
Maja Classen
German Competition Documentary Film 2024
Documentary Film
Germany
2024
74 minutes
English
Subtitles: 
German
The camera glides through a nocturnal, inanimate Berlin, documenting disembodied dance floors where the spotlights illuminate emptiness. Tales of longing and desire on the soundtrack. A brief visual reminiscence of lockdowns and retreats into bourgeois privacy, threatening a sex-positive culture that demands the consensual, open encounter of bodies. But people, curiosity and lust reconquer cinema. Exploring softness together, finding out where the bodies lead, allowing skin cells and nerve endings to get to know each other – and asking at every step where the boundaries are. This is the agenda of three couples and a group of sex-positive persons who meet here. “Truth or dare” is played, an age-old excuse to override taboos.
What Maja Classen explores with them, without trying to pin it down, is the question of how consensus makes a new sexuality possible. Even the protection from sexually transmitted diseases is part of the game, personal responsibility in the darkrooms, the images of femininity, masculinity and love dragged in from one’s socialisation that need to be defamiliarised again. Nothing we see transgresses boundaries. Nothing that happens happens without consensus. And yet none of it is taken for granted. “The joy of being there – and exactly there.”
Jan Künemund

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Director
Maja Classen
Script
Maja Classen
Cinematographer
Alina Albrecht
Editor
Sabrina Rücker
Producer
Saralisa Volm
Sound
Koenraad Ecker, Marina Funck, Mad Kate, Claudia Mattai del Moro, Nele Schinz, Pussy Ranz
Sound Design
Uwe Bossenz
Score
Vanessa Chartrand-Rodrigue, Angad Berar
German Distributor
POISON GmbH
Nominated for: VER.DI Prize for Solidarity, Humanity and Fairness
Kids DOK 2023

Pond

Lena von Döhren, Eva Rust
A small herring finds himself in a tidal pool and encounters many other, sometimes strange marine creatures. Only by joining forces can they defend themselves against the hungry seagulls.
Filmstill Pond
Filmstill Pond

Pond

Tümpel
Lena von Döhren, Eva Rust
Kids DOK 2023
Animated Film
Switzerland
2023
9 minutes
without dialogue
Subtitles: 
None
A shimmering shoal of herrings are swimming through the wide ocean when they are suddenly broken up by seagulls. Separated from the shoal, a small herring ends up all alone in a tidal pool. Looking for a way out, he encounters many other marine creatures. Some scare him. But there’s no time for this now: Only by joining forces can they defend themselves against the hungry seagulls.
Lina Dinkla

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Director
Lena von Döhren, Eva Rust
Cinematographer
Lena von Döhren, Eva Rust
Editor
Fee Liechti
Producer
Sarah Born
Sound Design
Tobias Diggelmann, Thomas Gassmann, Martin Waespe
Animation
Lena von Döhren, Simon Eltz, Ramon Schoch
World Sales
Georg Gruber
Filmstill Twice into Oblivion

Twice into Oblivion

L’oubli tue deux fois
Pierre Michel Jean
International Competition Documentary Film 2024
Documentary Film
France,
Haiti,
Dominican Republic
2023
100 minutes
French,
Haitian Creole,
Spanish,
English
Subtitles: 
English
In 1937, Dominican dictator Rafael Leónidas Trujillo ordered the murder of the Haitian population of the Dominican Republic. Tens of thousands were brutally killed. A language test made the difference between life and death: The Creole-speaking Haitians who could not pronounce the Spanish word “perejil” had to die, which is why this genocide went down in history under the innocuous name of “Parsley Massacre.” Until today, the region is marked by deep traumatisation, racism and classism, which are linked to the colonialist past of this two-state island.
Haitian filmmaker Pierre Michel Jean approaches this rarely examined subject with great delicacy and succeeds in creating a history lesson that combines different historiographies – from factual research to problematic narrative constructions through to the haunting testimonies of the last survivors – in a kind of montage of knowledge. At the same time, his documentary addresses the complexity of collective guilt and the important question of who can and should say “mea culpa” today, more than eighty years later. A performance workshop organised by theatre director Daphné Ménard, which brings together artists from both states, and the memories of the elderly Henry Noncent form the heart of this filmic monument whose empathy makes it compelling.
Borjana Gaković

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Director
Pierre Michel Jean
Cinematographer
Pierre Michel Jean, Louvenson Saint Just, Réginald Louissaint Jr
Editor
Marie Bottois
Producer
Maud Martin, Lysa Heurtier Manzanares
Sound
Jeannis Bazelais, Macaisse Bellegarde
Sound Design
Brice Kartmann, Marie Moulin
Nominated for: Prize of the Interreligious Jury, FIPRESCI Prize, Leipziger Ring, Silver Dove
Winner of: Prize of the Interreligious Jury, Silver Dove Feature-Length Film (International Competition Documentary Film)